The sound of forgiveness
Music is 70% of the show. I can often tell what is going to happen next if I just listen to the background music. One can simply listen to a movie from another room, observe the dialogue and the music to understand what is happening. Music has the power to give us chills at its epic wonder, make our spirits soar at its larger-than-life magic, make us grip our armrests in suspense, and make us jump in fright. In this episode of Angel, the tempo and feeling of the music gives the audience a perfect feeling of the scenes and an understanding of the inner turmoil of the characters. In specific scenes, the music conveys the emotion of the characters and their actions.Angel is currently wallowing in his guilt and shame for what he has done. The general music theme in the episode (and probably the rest of the series) is dark and disturbing as we all know the feeling of guilt is.
When Angel goes to the occult book keeper and the man tosses the bible at Angel, the music leaps and startles the viewers as they see Angel’s “vampire” face. The same idea occurs at other times in the episode.
As with the power that comes with all music, there is also a raw power in its absence. One can really get the feeling for the characters emotions when there is only monologue without accompaniment.
For instance, when Judy is starting to panic about the stolen money, all the sentiment is coming from her words of fear of confinement; her fear of retribution for her crime.
In real life, people confine themselves with their inability to forgive themselves. Judy says she cannot go to prison; it represents what she fears most; confinement and entrapment. The real tragedy of this episode is not that Angel gives up on the horridly paranoid hotel patrons; it is that Judy ends up imprisoned her whole life inside her head by her guilt, with the help of the paranoia demon.
“Is there such a thing as forgiveness?” she asks.
Perhaps, but what really speaks to me about this episode, is that one that one must forgive one’s self before one can ask for another’s forgiveness. Judy must forgive herself and her parents before she can ask for the forgiveness of the people she inadvertently wronged. Angel must come to terms with himself, his nature, and his past before he can progress.
Forgiving one’s self is one of the hardest things to do in this life. One, because the idea of holding one’s self in contempt has a twisted, saintly aura about it. And second, because that is all you can think about day in and day out. All your actions and thoughts revolve around this self mutilating guilt and when you come to understand this, you truly begin to comprehend Angel and his grieving period.
This whole ideology is very Christian rooted. The entire basis of this show is grounded in Christian philosophy of the forgiveness of Jesus Christ and paying for one’s sins in penitence, as Angel is paying for his past sins today.
It is interesting, because it is Christianity that is most closely bound to the myth of vampires. When you think of vampires, the first thing you think of is blood. Whereas modern Christian practices use the sacrament as the representation of the blood and flesh of Jesus Christ. The next think you think of is how to ward a vampire off; the Bible, the holy cross, and silver (Judas’ 30 silver pieces).
Angel just needs time to realize that it is his grieving that makes him human and redemption is possible, only by first accepting ones past mistakes and seeing the potential to be better.
“When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.”-Kahlil Gibran
After Angel and his friends defeat the paranoia demon, he returns to Judy’s room and finds her there, aged 60 years and still unable to forgive herself.
The music has changed from the suspenseful adventure of fighting the demon in the previous scene, to a soft and sad theme; Judy’s theme.
This end scene is truly a great metaphor for the process of forgiveness. Judy sees Angel the same as when she wronged him greatly in the past, which is so hard to do today, even over the simplest wrongs done to others. She doesn’t really think it’s possible that he is there right then and so it is easy to tell him that she is so sorry that she killed him, a simple and honest confession. There is so much that must be politically correct these days and it is always too easy to read to deeply into word choice and actions that we often find ourselves unable to give up the grudges.
As Judy fades away, finally forgiven, Angel returns down stairs to his friends, the sad music theme has an added upbeat of hope; and gives insight into Angel’s thoughts and emotions at the time. He has come to understand that it is indeed possible to find redemption when one forgives ones self.